Boris Performing 'Pink' in its Entirety w/ Earth
Sunday, August 7th
@ College Street Music Hall (New Haven)
$22 / 6:30pm doors / All Ages
Tickets On Sale NOW: http://ticketf.ly/1UNzBTE
Manic Productions and Premier Concerts Present:
Pink, the landmark 2006 album by Boris, which earned widespread critical praise — including Pitchfork’s Top 10 Albums of 2006 — will be reissued in a deluxe edition this summer to commemorate the album’s 10th anniversary.
The deluxe 3xLP box set and 2xCD features an entire album of previously unreleased tracks recorded during the Pink album sessions in 2004-2005. The bonus Forbidden Songs collects 9 tracks of the same hyperactive, accessible and aggressive caliber of the original album, available here for the first time, mixed (with additional editing and arrangement) in 2015 and mastered in January 2016. Like the original U.S. vinyl release, the Pink (Deluxe Edition) LP set has three longer edits of songs that were truncated on the original CD issue (“Farewell”, “Pseudo-Bread” and “My Machine”). Otherwise, both the LP and CD versions have the same audio as the 2006 release. And, Pink (Deluxe Edition) also features the artwork of the original Japanese release, made by the band members themselves.
In 2006, Pink was Boris’ 10th album and a major breakthrough that earned new fans outside of the underground metal community — the track “Farewell” was even featured in Jim Jarmusch’s classic film The Limits of Control. The album landed on countless “best of the year” lists from underground metal sites to mainstream rock magazines. And the praise was certainly well deserved for its more accessible sound and explorations into shoegaze and ambient structures alongside brutal noise, searing psychedelia and apocalyptic doom.
Pink succeeds at what most bands cannot do: swiftly changing styles from song to song, while always sounding distinctly like themselves. The seamless, explosive set of fan favorites from the classic longtime lineup of drummer/vocalist Atsuo, guitarist/vocalist Wata and bassist/guitarist/vocalist Takeshi still sounds as mindblowing as it did a decade ago. And, Forbidden Songs continues with the same unbridled creativity and ferocity. These songs aren’t outliers, they’re rather more like the director’s cut version of the original album.
Boris is now in their 24th year as a band — 20 years in the classic trio lineup — and shows no signs of slowing down. They have always demolished expectations of what a band can do musically and aesthetically. And in looking back with Pink (Deluxe Edition), the band’s trajectory as experimenters and innovators over subsequent releases becomes even clearer.
Pink (Deluxe Edition) will be available everywhere excluding Japan on 3xLP box set, 2xCD and download via Sargent House.
Earth was formed in Olympia, Wa. In 1989 by Dylan Carlson, with an ever evolving line up including Slim Moon (Kill Rock Stars founder), Joe Preston (Melvins) and many others. After moving to Seattle and signing to Sub Pop in 1990 they would release 3 full lengths and an EP including “Earth 2”. Considered by many a definitive statement of the drone triumphant, others have described it as “the inevitable result of the damage done by downers to perception of time”. Whichever the case, its influence is undeniable. If it wasnt for this album, bands like Sunn 0))) simply would not exist.
In 1996 they recorded their final Sub Pop lp “Pentastar (In The Style of Demons)” in an abandoned Colt 45 factory. After its release the “group” disbanded and Earth/Dylan Carlson go on hiatus. 6 years later Earth becomes active once more, with the addition of Adrienne Davies on drums. Unveiling it’s new cleaner, sparser, and more improvisational style. in September 2005 Earth release their first studio album in 9 years, diversifying their sound and pushing all perceived boundaries. With “Hex; or Printing in the Infernal Method” Earth create a intense, powerful album that defies restrictions of genre. The monolithic darkness of previous releases such as “Earth 2” is still apparent. though now shifted away from saturated and distorted guitar tones. Using compression, echo, tremelo, and reverb, it is a specifically American style. A “Black Americana” reminiscent of an immense desert landscape at dusk. It is a sound that draws on the influence of Duane Eddy, Merle Haggard & Roy Buchanan and fuses it with the vibe of epic visionary composer Ennio Morricone. Beautifully darkened, huge chords that resonate slowly while every single note is played with a precise conviction.
Where “Hex” reveled in dark satanic twang and austere american beauty, 2008’s “The Bees Made Honey In The Lion’s Skull” finds Dylan Carlson and the band growing into a harder, more rock, American Gospel and impovisitory direction framed by truly psychedelic production and blazing guitar sounds. Earth shows it’s affinity to the more adventurous San Francisco bands of the late 60’s and 70’s, and the more spiritually aware and exciting forms of Jazz-Rock from the same era.
The most recent records “Angels Of Darkness, Demons of Light - parts 1& 2” (2010 and 2011 respectively) serve as testament to the fact that they have come a long way since 1989. Drawing on inspiration from both British Folk-Rock bands Pentangle and Fairport Convention and the North African Tuareg band Tinariwen, the new material, while still “heavy” is much more fluid and melodically oriented, more textured and nuanced. It contains greater improvisatory interplay between the musicians.
On one hand they acknowledge previous recordings, cultivating the jazz infused Americana presented on “The Bees Made Honey In The Lion’s Skull” and on the other, there are significant changes which give birth to yet another new sound. The addition of cello, though subtle at times, adds a more haunting tone to the repetition throughout.
Though such repetition may, at times, seem simplistic, there is absolutely nothing simple about holding a note as long as Earth do.
“The ongoing musical project which is Earth has always been concerned with repetition and the drone or THE NOTE. When I was younger and full of hubris I believed that a “pure” or “original” music could be developed in a static and removed state from other music. I now realize that music, especially music containing the drone or THE NOTE, and music that effects a spiritual reaction from the listener is a continuum. It is a music that has continued throughout time and manifested itself in a number of different forms or “genres” or"styles”. I began to see my music as part of and a product of that continuum. I also began to see that continuum strongly expressed in historically ‘american’ forms. Specifically the “genres” of “country” and “blues”. The truly ‘cosmic american musics.' Dylan Carlson summer 2005.”
Shitstorm (members of Torche)
Miami, Florida's Shitstorm is a 4 piece grindcore band playing in the old school Napalm Death/Terrorizer vein combined with elements of crust, hardcore, war metal and harsh noise. Together they create one of the most abrasive sounding bands ever.