UB40 featuring Ali Campbell, Astro & Mickey w/ The Wailers
Wednesday August 24th
@ College Street Music Hall (New Haven)
$40-$75 / 6:30pm doors / All Ages
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When vocalist Astro and keyboard player Mickey Virtue rejoined forces with Ali Campbell, the spirit of their old band UB40 was never going to be far from the surface. All three were founding members of the iconic Birmingham reggae troupe who topped the UK singles chart on three occasions and sold 70 million records as they took their smooth yet rootsy musical blend to all corners of the globe.
Having reiterated their credentials as consummate live performers with triumphant gigs this year in places as far flung as Nigeria, South Africa and Papua New Guinea, Ali, Mickey and Astro are now turning their attention to the studio and a new album, Silhouette, that is an inspired mix of freshly-minted new songs and sparkling, reggaefied cover versions of classics by The Beatles, Bob Dylan, The Chi-Lites and others.
Silhouette, recorded in London's legendary RAK Studios, plays unashamedly to the trio's strengths. Ali's voice, described by Astro as being 'like a fine wine' (red, presumably), remains as strong as ever - rich, melodic and instantly recognisable. With the redoubtable Astro lending strong vocal support and Mickey's keyboards to the fore in a new band that includes a three-piece horn section, their lithe but potent sound should delight fans old and new.
“Going into the studio with Ali again took me back in time,” says Astro. “We hadn't recorded together for years. But, once he started singing, the years just rolled away. And, whenever I had my own ideas for a vocal part, I was encouraged to go for it. There was never any hassle, as we're all having such a blast.”
“Silhouette is like a continuation of the solo albums Ali has made since leaving the old band,” adds Mickey. “Musically, he's been really consistent. Ali's genius is the way he can work a set of lyrics around a great melody. Any song he sings could easily be a UB40 tune.”
Among the album's highlights is the title track and first single Silhouette. A 1957 hit for the American doo-wop group The Rays, though the yearning take that appears on the album owes more to an early 1970s version by the crown prince of reggae, the late Dennis Brown. “It's a cracking tune and the reaction when we play it live is phenomenal,” says Astro, who adds vocals to the track. “We've always mixed covers and originals. On the first UB40 album, Signing Off, we had one song by Randy Newman (I Think It's Going To Rain Today) and another made famous by Billie Holiday (Strange Fruit).”
Silhouette also includes an upbeat reggae interpretation of Any Time At All (from The Beatles' A Hard Day's Night album), a cover of Bob Dylan's enigmatic 1966 single I Want You (a number Ali remembers from his childhood) and an inspired take on The Chi-Lites' Yes I'm Ready (a song originally on the B-side of the soul standard Have You Seen Her). Says Ali: “Have You Seen Her was a song that meant a lot to me in the 1970s. I used to listen to the seven-inch single on my Dansette record player in the dark. And, in Yes I'm Ready, there was also a great track on the flipside – a song that nobody has really heard of.”
Two other covers that may be less familiar are Sha-La-La, once a harmony hit for The Pioneers, and Jamaican singer Ernie Smith's Ride On Sammy, a cautionary tale that warns a philandering rude boy to change his ways. There is also the lilting lovers rock of Missing You. It was written by Lionel Richie as a tribute to his departed friend Marvin Gaye, it was a hit for Diana Ross, though Ali is covering the Lee Roy Gibbons version. “Lee Roy misinterpreted it as a love song,” he says. “He assumed that Lionel Richie wrote it about a woman he was missing, but it was actually inspired by his memories of Marvin.”
Amid such originals as the self-explanatory Reggae Music and Cyber Bully Boys, the album contains the poignant Tomorrow On My Shoulder, a previously unpublished track written by Ali's father, Scottish folk singer Ian Campbell. “It's a song about parenthood,” says Ali. “My dad gave it to me when I had my first son.”
As original members of UB40, Ali, Mickey and Astro helped to define reggae music for a generation. The multi-racial band, formed in 1979 in the Birmingham suburb of Moseley, pooled a diverse set of influences to put a fresh, indigenous slant on Jamaican reggae. After encouragement from Chrissie Hynde, who offered them support slots with her chart-topping band The Pretenders, they recorded their independently released debut album, Signing Off, on an eight-track tape machine in the home of producer Bob Lamb. An unexpected number two album, it gave them the conviction to chart their own course.
“Chrissie Hynde discovered us,” recalls Ali. “We'd only done a dozen gigs when she saw us at the Rock Garden in London. She was top of the charts at that time, but she took us on tour. We were on the road with The Pretenders when our first single, Food For Thought and King, reached number four in the charts.”
“We owed a lot to the late 1970s ska movement, too,” adds Mickey. “We shirt-tailed the ska movement but we also stood apart from the 2-tone acts: their thing was a mix of punk and ska and ours was a new homegrown strand of reggae.”
UB40 went on to dominate charts around the world, not least with the hugely successful Labour Of Love series. The first Labour Of Love album, in 1983, yielded a cover of Neil Diamond's Red Red Wine that topped the charts on both sides of the Atlantic. The band secured two further chart-topping singles at home in (I Can't Help) Falling In Love With You (also another US number one) and I Got You Babe, a duet between Ali and the band's old friend Chrissie Hynde, and Ali and Robin Campbell also scored a No.1 with Baby Come Back.
When Ali Campbell departed in 2008 after 29 years and a dozen major world tours with the band, he was followed out of UB40 by Mickey Virtue. Campbell, with Mickey lending a helping hand, has since released two solo albums. Astro remained with the band until November 2013, when he left to team up again with Ali and Mickey. Now, following some spectacular gigs at home and abroad, the trio are facing the future with renewed confidence and vigour.
“When we play live now, it feels like a real group,” says Ali. “The musicians in our band have all played with other reggae acts, so they love what we're doing. And the fact that Astro is back with us after six years speaks volumes about the music we are making.”
“For me, it's all about promoting reggae. At the end of the day, the fans don't care about what goes on behind the scenes. They only care about the music, and I'm sure they are going to love this record.”
Together with Bob Marley, The Wailers have sold over 250 million albums and have played to an estimated 24 million people across the globe performing an average of 200 dates a year. The anchor of the band is Aston “Family Man” Barrett, who in addition to being Marley’s most trusted lieutenant and co-producer, played on countless other classic reggae hits throughout the seventies. The authenticity he brings to the Wailers’ sound is indisputable and yet today’s line-up combines old school know-how with lead vocals from one of Jamaica’s most exciting new singers. The Wailers are undoubtedly the world’s premier reggae and world music group who bring high energy shows to fans across the globe.
The band performs varied sets from the extensive Wailers discography including those from Legend. Legend is #46 on Rolling Stone Magazine’s 500 Greatest Albums of All Time. Legend is also the best-selling reggae album of all-time, with over 30 million copies sold worldwide and a 2014 re-release topped Billboard’s Top 5 – proving the timeless appeal of their music spans generations. On its resurgence in popularity, Aston ‘Family Man’ Barrett laughs said the following: “It only took 30 years. My life with The Wailers has been an odyssey. To be in the top ten is hard for me to even imagine. We’ve come so far. Sharing this music with so many people around the world was my last promise to Bob and here we are.”
The band also performs selections from Exodus named by Time Magazine as the “Album of the 20th Century”, it was released in 1977. In keeping with the band’s tradition of touring with album themes, the Wailers have been performing entire sets devoted to songs from the specific albums, Legend, Exodus, Uprising and the album Survival released in 1979.
The current lineup includes Mr. Barrett’s young son, Aston Barrett Jr., a multi-instrumentalist who plays bass, drums and organ at varied occasions, helping bring the music forward to a new generation. On drums is Anthony “Benbow” Creary, who recorded and toured wtih the band in the early years. The two lead singers are Dwayne Anglin, known as Danglin and Joshua David Barrett. Lead and rhythm guitar and backing vocals by Audley “Chizzy” Chisholm. On backing vocals is Cegee Victory and keyboards is Chaka Taylor.
Outside of their groundbreaking work with Marley, the Wailers have also played or performed with international acts like Sting, the Fugees, Stevie Wonder, Carlos Santana, and Alpha Blondy, as well as reggae legends such as Peter Tosh, Bunny Wailer, and Burning Spear. As the greatest living exponents of Jamaica’s reggae tradition, the Wailers have completed innumerable tours, playing to a fan base that continues to grow and expand as new generations of fans are exposed to the music.
Their nucleus formed in 1969, when Bob Marley, Bunny Wailer, and Peter Tosh recruited the Barrett brothers – bassist Aston “Family Man” and drummer Carly – from Lee Perry’s Upsetters to play on hits such as Lively Up Yourself, Trenchtown Rock, Duppy Conqueror, and many more besides. Inspired by Rastafari and their ambitions of reaching an international audience, this is the line-up that pioneered roots rock reggae, and signed to Island Records in 1971. Bunny and Peter left two years later. It was at this point that the in-demand Barrett brothers – whose rhythms also underpinned innumerable seventies’ reggae hits by other acts – assumed the title of Wailers, and backed Marley on the group’s international breakthrough album, Natty Dread. Under Family Man’s musical leadership, they then partnered Bob Marley on the succession of hit singles and albums that made him a global icon, winner of several Lifetime Achievement awards, and Jamaica’s best-loved musical superstar. Drummer Carlton “Carlie” Barrett died in 1987, leaving his brother as the main beneficiary of the Wailers’ mantle.
Never ones to be pigeonholed in the past, The Wailers reaffirmed their continuing relevance and versatility in modern music with a guest spot on country superstar Kenny Chesney’s hit single, “Everyone Wants to Go to Heaven,” and also appeared in a video for the song which was shot in Jamaica. They have just rejoined him for a new single called “Spread the Love,” released in June of 2013. Nor have they forgotten their social consciousness, consistently donating proceeds to benefit the World Food Program (WFP) in conjunction with the United Nations, feeding thousands of starving children around the globe
Now well into their fifth decade, The Wailers truly are living legends who embody the nobility, conviction and progressiveness of Bob Marley and his music. Their journey is far from over as the world awaits The Wailers’ next move in their “One Love” revolution. “Our music is the magic,” says Fams “the oxygen of the people. It’s the message of roots, culture and reality, meant to spread peace and love to all.”
Reggae music has never stopped evolving but for millions of people from around the world it’s still defined by the songs of Bob Marley and the Wailers. It’s been their heartbeat rhythms that have inspired so much of what’s followed since, as evidenced by the enduring popularity of the “one-drop” reggae sound.